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An Architect Tested 13 AI Models on a House Drawing Set and Found a Sudden Leap

In a Substack essay, architect Stephen Gallagher describes giving 13 AI models the same sketches for a simple house. In his judgement Claude Opus 5.5 produced a set good enough for a permit, after twelve hours and two rounds of redlines.

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A grid comparing hand sketches of a two-storey house with elevations and floor plans drawn by eight Anthropic models, from a blank refusal to detailed sheets
The author's concept sketches (left) beside the drawings each Anthropic model produced, ordered by release date · Image: Stephen Gallagher
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Can a general AI model produce a full set of construction drawings for a house? Architect Stephen Gallagher put that question to 13 models in an essay published on his Substack on 28 October, and his answer is a qualified yes. In his judgement, Anthropic’s Claude Opus 5.5 drew a set for a simple house that would be good enough to obtain a building permit. His test is one of the more detailed public attempts to measure AI technical drawing, but it is a single experiment, run and judged by one person.

How the test worked

Each model got the same prompt and the same folder: Gallagher’s rough concept sketches for a house, plus a construction set he had drafted in AutoCAD for a different house as a reference. Results ranged from a refusal by Claude Opus 3 to cartoonish drawings from most 2025 and early 2026 models, up to the Opus 5.5 set. He writes that no model released before September could draw the floor plans without serious layout errors, and only Opus 5.5 got the dual-pitch roof right.

Fourteen panels of a house front elevation, a pencil sketch followed by line drawings from different AI models of varying quality
The concept sketch of the front elevation and the versions drawn by each model tested · Image: Stephen Gallagher

Feedback was not equal. The weakest models got none; Opus 5.5, which produced the best first draft, received the most, including written comments and two rounds of redlined sets. Gallagher argues this mirrors practice, where senior architects mark up the drafts of junior staff, but it means the result reflects his guidance as well as the software.

Drawings written as code

The models did not use CAD software at all. They wrote Python to generate vector linework, printed test sheets, looked at them and revised the code. Opus 5.5 worked for twelve hours on the house, wrote more than 15,000 lines of code and, by the author’s estimate, used a few hundred dollars of compute. Such code can output PDF sheets or DXF files that open in programs like AutoCAD.

A construction drawing sheet with left and right side elevations of a shingled house, dimension levels, notes and a title block
One exterior elevation sheet from the set Claude Opus 5.5 drew for the house · Image: Stephen Gallagher

Limits of the AI technical drawing set

Gallagher is open about the flaws. The Opus 5.5 house lacks a second means of egress, which a Massachusetts amendment to the residential code requires and an inspector would probably flag; he takes part of the blame because his sketch omitted it, and notes that two OpenAI models added stairs off the rear deck. When he edited the code to lengthen the building, the elevations stretched but many plans did not. In a second test, detailing a historic building in the style of the draftsman Frank Snyder, the result was impressive but less polished than the original and contained subtle errors.

Five panels showing a gable sketch, an AI drawn elevation, red markups at the eaves, a block of code notes and the corrected elevation
How the model handled a redline: sketch, first draft, markup, its own notes and code, and the revised elevation · Image: Stephen Gallagher

What he thinks it means for practice

The essay’s wider claims are forecasts. Gallagher expects drafting ability to keep improving through better tooling and training, worries that students could “vibe draft” projects without learning, and asks how junior staff will learn to check AI drawings if they rarely draw themselves. Because much of a firm’s billing is drawing production, he expects downward pressure on fees. “I can’t say that I’m cheering for the change,” he writes. No independent reviewer has assessed the sets, so the permit-quality verdict remains his own professional opinion.

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Written by
Elif Ayse Sen

Elif Ayse Sen is an architect, editor and writer who creates and refines architecture content for learnarchitecture.net and illustrarch.

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